Archive for the ‘The new novel’ Category

Oh. Hai.

Saturday, July 24th, 2010

And there it was, waiting for me in the mailbox yesterday.

And yeah, after the weirdness of the other day, just in hearing about it, I was a bit prepared.  Nevertheless, it was quite a moment…  Yeah, it's done.  And here it is, in my hands…

Complete with blush-inducing tag-line from the Montreal Gazette: "One of our most promising and original voices"…  I'm just going to sit here quietly and wait for the other shoe to drop…

A note for posterity:  There aren't very many of these, distributed chiefly to the media and the trade, as is usually the case for ARCs.  Collectors disagree about whether an ARC constitutes a true first edition or not — I'm not going to leap into that fray (I save my opinions for fountain pen and Springsteen boards).  However, I will say this: this ARC DOES constitute a variant printing, if nothing else.  Yes, as is typical of ARCs, there ARE minor textual variations between this and the final version — I spent ten days going through these pages word by word at the beginning of the month — but that's not what sets this version really apart.  THAT would be the title page.

Take a moment — you'll see it.

Yeah, that.

For the record, it makes me smile…  And yeah, I had it fixed.

Weirded

Wednesday, July 21st, 2010

There is a moment, in the life of every book, when it becomes suddenly, gob-smackingly real.

With Before I Wake, that moment came when I opened up that first book of Advanced Readers Copies (ARCs), and gasped, and wept, and held a lifetime's worth of hopes and dreams in my hands for the first time.  (Okay, that's perhaps a little overstated, but I think you see the point).

With The World More Full of Weeping, that moment came when I saw Erik Mohr's fantastic cover art.  It literally took my breath away, and made it real months before there were actually books.

For Bedtime Story, that moment came today.  No, I haven't seen an ARC, but the fact that I started getting emails from people who had received them brought the reality of the whole thing crushing down on me, fifteen tons of weird.

Part of the weirdness, I think, is that it's done.  DONE. DONE! A couple of years late, and after much work and angst, but DONE.  That's weird enough.

What really got me, though, I believe, was the fact that there were ARCs landing on desks before I had even seen one.  Now, I'll be getting mine in the next day or two — it takes a little longer for a package to travel from Toronto to Victoria than it does for one to travel across town — but that's not actually the weirdness.

No, the weirdness comes with the fact that, for the first time, the book is going out into the world completely outside of my control.  For the past four years, I've controlled who read it, and when. I've spoken to everyone who touched it.  I knew which pages were where at all times.  I was in control, dammit (well, as much control as one can be when one is in the throes, but that's another post for another time).

And now I'm not.  Now it has a life of its own, completely outside of my control and, to a very, very great degree, out of my awareness.  As of this morning, it's not mine anymore.

And that's a good feeling, it's just a strange one to get used to.  It's done.  It's out in the world.  And now all I can do is watch.

(drum roll please)

Tuesday, March 30th, 2010

It's with great pleasure (and a minimum of commentary), that I give you (TA DA!), the new book:

Bedtime Story will be released, in Canada, on October 19, 2010. Other territories will, hopefully, follow — my agent is taking news of the book to the London Book Fair next month. My fingers will certainly be crossed.

As to perhaps the more important issue (ie, what it's about), I'm going to reprint here what the foreign publishers will be seeing at the Book Fair, and pretty close to what booksellers will be seeing in their upcoming catalogs and rep appointments:

Following his bestselling 2006 debut, Before I Wake, Wiersema returns to his exquisitely plotted blend of supernatural thriller and domestic drama.

Novelist Christopher Knox began his writing career with a bang. The echo of that success still rings in his ears as he sets to work every morning on his second novel, ten years later. His wife feels like a single parent, and with Chris living in exile in a studio above their garage, it won't be long before she is.
Chris discovers a fantasy novel by an obscure author he loved as a child and gives it to his son, David. Father reads to son nightly, and To the Four Directions soon enthralls him. Until one night, when young David is reading alone, an inexplicable seizure leaves him in a mysterious state of unconsciousness. As his seizure recurs every night, his father learns that only one thing will calm it, a bedtime story from his strange new book.
Convinced that the secret of David's collapse is within its pages, Chris crosses the continent in search of the truth. Meanwhile, David wakes up within the story he has been reading, and as his father struggles to free him, David struggles to survive, facing perils unimaginable in a world created to capture the hearts and souls of children like him. Both father and son are headed toward a fateful collision of worlds, and a showdown with ancient evils, both fictional and very real.


That's all I'm saying at the moment, but you can bet I'll be talking a LOT more about this in the coming months!

It's been said that you can't go home again…

Wednesday, March 17th, 2010

Let's put that to the test, shall we?

This Saturday afternoon, March 20, 2010, at 2 pm, I'll be reading at the Agassiz branch of the Fraser Valley Regional Library, better known (in my mind at least) as The Library.  I'll spend the afternoon mere meters from my old high school, reading from The World More Full of Weeping, talking about how Henderson is in no way Agassiz (except those ways in which it is), fielding questions, and maybe, just maybe, giving a sneak preview from the new novel.

Hell, I might even have a title for the new novel by then!  Wouldn't that be a treat.

So yes, Saturday afternoon at 2 at the library.  It's Agassiz — I don't have to give you an address, do I?

See you there.

Mail call

Friday, December 18th, 2009

It's no secret — I love getting mail.  I love opening a package and not knowing what to expect.  Or knowing EXACTLY what to expect.  And this time of year is great for mail, as I'm sure most of you can appreciate.

Today, though…

Well, I knew it was coming, but even forewarned, there's still something of a heady thrill receiving an edited manuscript back from ones publisher.  Well, a heady thrill, with a healthy dose of anticipatory nausea.

I have a ritual, for times like these.  I open the package, I take a quick look at the notes, I glance through some pages, looking to see how many markings there are on the page, and then — this is the crucial step — I close the box and ignore it, for at least 12 hours.  Let my initial feelings of shock and dismay fade…

This time, though, I added a step.  I took a photo:

Sorry for the grainy cellphone-ness of it, but I wanted to capture the moment.

I've included a copy of Before I Wake for scale.

I heard that!  That *gasp*.

Would it comfort you to learn that on the FedEx waybill, the package was listed as weighing 12 pounds?  No?

Me neither.

I guess I know what I'm doing after Christmas…

The eternal circle…

Thursday, December 17th, 2009

I suppose this is the way these things SHOULD work, timing-wise.

No sooner do I see that the first installment of "Just Like the Ones He Used to Know" is up and getting hits at books.torontoist.com than I receive word from my editor at RHC that a box is headed my way by courier — the first editorial pass through the forthcoming new novel.  I should have the pages sometime today…

Story published, novel in revision, new work started… the eternal cycle. This is what my life looks like, and I couldn't be happier.

(On a side note — I've started a post with notes and thoughts and ruminations and such about the Christmas serial. I'm going to hold off on posting, though, until the whole thing is out and read, but you have that to look forward to, if you're the sort that looks forward to those things…)

Insanity

Tuesday, December 8th, 2009

It has been noted — by folks far wiser than yours truly — that a good operating definition of "insanity" is "doing the same thing over and over, expecting different results".  By that measure, at least, one could, I suppose, question my sanity.

I certainly am.

Really, I should know better by now, shouldn't I?

Certainly after the great "type out the monster" marathon of 2008, you would think that I would have recognized that typing out the manuscript as I go is the ideal, right?  You would think that I would settle into a comfortable routine of "write in the morning, type in the evening", wouldn't you?  Especially considering this very wise passage from that monstrous manuscript:

It took me another hour, sipping at my second coffee of the day, to type in the day’s pages, making a few changes as I went.  When I printed out the pages, I wrote the date in the bottom margin and set the sheets face-down on the top of the stack on the second shelf of the bookcase.

Wise words, no?  A perfectly reasonable approach, yes?

So how is it, exactly, that I've ended up doing it again: writing a full story, and now having to input it all at once?

(sigh)

The good news, I suppose, is that the story is done, as of yesterday morning.  And it's not that long — another morning of  typing will have it done, and ready for revision.

Still, though, it's a good lesson, and a timely one: build a routine wherein I write in the morning, and type later in the day.  DO NOT let the manuscript build up.  DO NOT fall into the trap of "it's important to the flow that I not go back and type what I've already written; I'll wait and type it all at once".

If only there were somewhere that I could write that down, so I don't forget when I start on the new novel…

Meanwhile, in another part of my psyche:

Yes, the story is done.  No, I can't give you the details on where and when it will appear.  Soon, though. Soon a press release will magically appear, and it will be copied here with much rubbing together of hands.  And by "soon" I mean "within the next 24 hours or so", so not long now.

In the meantime, though, do please listen to this interview I recorded last week with Joseph Planta for thecommentary.ca.  (Yes, listen — Mom, this is a podcast.  Just click where it says to click, then sit back and wait for sound to come out of your speakers.  Everyone else, you can listen on the site, or download the piece and listen to me while you work out.  Heh.)

And for the record, I recorded this on a lunch-break last week, in the waning stages of "Omigod, I'm gonna die", which saw me feverish and a bit delusional.  I'm not actually sure of what I said*, so if there's anything bizarre (or, you know, wise), I'm blaming the fever.  Or the drugs.

(*caveat added upon reading the phrase "they also discuss growing up in Agassiz" and having NO recall of how I handled the question…)

All right, back to my typing…

Signed, sealed, delivered

Friday, November 20th, 2009

I have waited a long, LONG time to be able to use that header as a blog post.  And as of about five minutes ago, I can.  Finally.

Yes, the new novel is off my desk, delivered to Random House (well, delivered to my agent, who will midwife it to its proper home).  And I could not be happier.

It's been a long road.

The concept for the new novel (which, no, doesn't have a title yet) goes back to late 2003, a stormy midwinter night that had me thinking about fathers and sons, and the power of reading.  I had the idea in-hand and in-mind when I was wandering BookExpo in 2004, and had several long conversations about it with prospective editors.  I wrote a one-page summary of it in late June, 2004 (which resulted in a two-book offer and deal with Random House Canada), then a 25 page outline a few months later.  I settled in to write it in 2005 and… well, I wrote the opening about 38 times.  I also wrote, as a result, a half-dozen short stories and two novellas (one of which was published by CZP as, yup, The World More Full of Weeping).  I made the ever-important initial breakthrough in mid-2007 and spent a year writing, flat-out.

Yup, a year.  That's four times as long as the first draft of Before I Wake took, which is appropriate, considering that the first draft of the new untitled novel (which I'm going to refer to as "untitled" from here on out) is more than four times as long as BIW.  I worked on it at home, in New York, in Toronto, and finished the main of it somewhere in the mid-Atlantic.  The closing scenes were written after several months of intense typing (350,000 words in longhand — my illegible scrawl — takes a LONG time to type), over the Labor Day weekend last year.  

Since then, I've been revising.  That's a year of cutting.  Tweaking.  Rearranging.  The sort of work that starts with a chainsaw, and finishes with a scalpel.  A full year of revision, before my editor even had a glimpse (though, admittedly, that work wasn't quite… dedicated.  And I seem to have lost a few months this spring.)  In that time, I've adored it with the tender, heartbreaking love of a gob-smacked parent, and hated it with a white-hot fury.  There were times I savoured every word, and times I wanted to set the whole thing on fire and walk away.  All of that, by the way, is both perfectly natural and par for the course.

Crucial to that process, and key to just how good I'm feeling about it now, is Cori, Her Esteemed Editrix herself.  She knows exactly what works, and what doesn't, sees flaws before I do (and knows how to fix them) and, most crucially, knows how to ask the right questions.  It's her fault I didn't deliver the book in August as I intended to — it's to her credit that the book is SO much stronger than it would have been had I made that deadline.

Ah, deadlines.  I've actually lost track of how many I've… blown through and/or ignored.  Oh well.  It's done now.

It's done now!  What a thing to be able to say.

Even if it isn't precisely true.  There is still work to be done, and work I'm eager to get to: working with an editor, honing and polishing, is one of my favourite parts of the writing process.  It's engaging with the most focussed, most dedicated reader your work is ever likely to have, an opportunity to look at the questions that such a reader will have at the only time you can actually ADDRESS them, and their underlying issues.

So, what now?

Well, I'm going to mark the occasion by (checks watch) going to work in a few minutes.  I'm going to write a couple of overdue book reviews and catch up on some reading.  There's a commissioned short story that's been hemorrhaging red ink for a few months that desperately needs triage, and a new short story to write in the next few days, a bit of a Christmas gift to my Toronto readers.  And then there's the next novel to start.  There's a trip to Galiano for a reading this weekend, and I would imagine a boozy dinner involving a large steak and larger quantities of gin.  And a nap.  God, I'm looking forward to a nap this afternoon.

And in ten days or so, I'll have my editorial first pass.  So it goes.

Right now, though, I'm basking.  

A nice thing before bed…

Thursday, November 19th, 2009

A bit of a shout-out from Cory Doctorow (who was at Bakka before the launch on Saturday) at Boing Boing.

And now, after that dubious attempt at limited hipster cred, I'm to bed.  Tomorrow promises to be a momentous morning, but more on that anon.

A press release…

Thursday, February 26th, 2009

Some people have been asking "when will there be a new book, Rob?"

The following press release answers part of that question…

ChiZine Publications (CZP) has released the slate of books it will be looking to publish in 2009. They include the novel The Choir Boats by Daniel Rabuzzi, the collections Monstrous Affections by David Nickle, Objects of Worship by Claude Lalumière, and an untitled collection by Douglas Smith. Novellas by Nick Kaufmann and Robert Wiersema are also planned.

“Our goal is to get three of these books — Claude’s, David’s, and Robert’s — out for WorldCon in Montreal this August,” says Brett Alexander Savory, CZP Publisher and Bram Stoker Award winner. “At the same time, as an invite-only press, cover art, production quality and thorough editing are our top concerns. We will never rush something out.”

As with CZP’s first three books — Brent Hayward’s Filaria, Robert Boyczuk’s Horror Story and Other Horror Stories, and Lavie Tidhar and Nir Yaniv’s The Tel Aviv Dossier — all will be released in signed, limited-edition hardcovers, with trade paperbacks to follow several months later.

Which makes me very happy indeed.  I'm thrilled to be being published by CZP — a scrappy new indie publisher that believes in high quality from top to bottom — and delighted that the novella is making it out into the world in a lasting form…
The novella in question has been referred to in these pages as "Lost Boys", but that won't be the final title (apparently when people hear those two words, they're more inclined to think of Kiefer Sutherland and cheesy 80s vampires than … well, anything else).