Archive for the ‘CZP’ Category

An announcement…

Wednesday, December 16th, 2009

As promised, some news, direct from books.torontoist.com:

The editors of Books@Torontoist are proud to announce the publication of an original story by Robert J Wiersema, bestselling author of the novel Before I Wake (now published in ten countries) and the novella The World More Full of Weeping. The story, “Just Like the Ones He Used to Know,” will be serialized on the site in eight daily posts, beginning on Thursday, December 16 and ending on Christmas Eve. The story of a man who makes a mysterious journey to his home town on a stormy Christmas Eve, “Just Like the Ones He Used to Know” revives the Victorian tradition of ringing in the holiday season with a story of the ghostly and the miraculous.

The serialized story will be accompanied by photos and original illustrations provided by Torontoist’s stable of talented artists and photographers.

Rob was kind enough to provide us with an introduction to his holiday tale. Please read on and return tomorrow for the first installment of “Just Like the Ones He Used to Know.”

At first glance, there’s something a little counter-intuitive about a Christmas ghost story. After all, isn’t the season all about births and rebirths (depending on which point on the Christian/Pagan trapeze you occupy)? Well, yes.

And yet…

There’s a long history of ghosts and Christmas. One need look no further than what is perhaps the best known Christmas tale, Charles Dickens’ A Christmas Carol, which has not one but four ghosts (don’t forget poor Marley.) And on the other end of the spectrum one of the best known ghost stories – Henry James’ The Turn of the Screw – which is deliberately framed as “gruesome, as, on Christmas Eve in an old house, a strange tale should essentially be”.

Some of my favourite examples of the form, though, come from Robertson Davies, who collected, in High Spirits, 18 years worth of the Christmas ghost stories which he had delivered at the Christmas celebrations at Massey College. His ghost stories were a little on the lighter side (though in all fairness, compared to The Turn of the Screw, practically everything is at least a little on the lighter side).

When I was asked by Torontoist to write a Christmas ghost story to be serialized in the run-up to the festive season, I took it on as a challenge. I had a limited time to write the story, which meant an even more limited time to gestate the story. I thought, for a time, that I might write something humourous. Or something Toronto-based. Then I thought I might write something personal, a bit revealing.  But then, as these things do, the story bubbled to the surface of my mind, almost fully formed, and completely different from anything I could have consciously devised. So it goes.

Although it’s a ghost story, “Just Like the Ones I Used to Know” goes back to those things which are, to me, the fundamentals of the season: warm houses, snow-storms, travel, food, and family. It’s set in the fictional B.C. town of Henderson, and it’s about coming home, and what that means.

You should definitely click over to books.torontoist.com (right now) to see this announcement in its proper setting, with an example of the art James mentions in the release.

For the record, this is the story that I was writing in the early part of this month.  I'm actually very pleased with it — it came in on-time, at-length, and it does exactly what I want it to.  Which, really, is all a writer can ask.

Speaking of asking: when James asked me to write this story, I had mixed feelings.  Traditionally, I'm not good with deadlines (which might well be the understatement of the decade), and I was decidedly overbooked.  There was a novel to finish, and reviews to catch up on, and all the ancillary stuff of work and life to contend with.  But we spent some time talking it through when I was in Toronto last month, during a boozy late afternoon at the See Hai Lounge in lovely North York, and by the end I was committed.

Thankfully, the writing came easily, and the story came out well.

Considering, though, that last November I signed on with CZP to publish The World More Full of Weeping over drinks in a Toronto bar, and now this, I'm starting to think I need to spend more time in bars when I'm in Toronto.

So, that's the news.  I hope you read the story, and enjoy it.

This just in!

Monday, December 14th, 2009

Oh, my.

My editor at CZP just sent me this review, from Publisher's Weekly:

The World More Full of Weeping
Robert J. Wiersema. ChiZine (www.chizine.com/chizinepub), $12.95 paper (104p) ISBN 9780980941098
Wiersema’s haunting novella–whose title aptly references a line in William Butler Yeats’ poem “The Stolen Child”—revolves around an 11-year old boy named Brian whose love of the woods behind his father’s house in rural southwestern British Columbia leads him to supernatural discoveries—namely Carly, an ethereal girl. Carly shows the boy a breathtakingly beautiful “hidden world” in the forest. When Brian disappears one day, his father is forced to revisit obscure memories from his own youth—memories that involve the mysterious forest and a girl named Carly. Powered by a sublime sense of wistfulness and a setting that is simultaneously natural and otherworldly, Wiersema’s novella seamlessly blends literary fiction with mythic fantasy to create a lyrical, surreal and deeply melancholic reading experience. The book also includes an essay entitled “Places and Names,” in which the author explores the signification of “personal geography” and explains how his fictional town of Henderson (the setting for his story) was created. (Sept.)

Do you think "Wiersema’s novella seamlessly blends literary fiction with mythic fantasy to create a lyrical, surreal and deeply melancholic reading experience." is too long for a tattoo?

Insanity

Tuesday, December 8th, 2009

It has been noted — by folks far wiser than yours truly — that a good operating definition of "insanity" is "doing the same thing over and over, expecting different results".  By that measure, at least, one could, I suppose, question my sanity.

I certainly am.

Really, I should know better by now, shouldn't I?

Certainly after the great "type out the monster" marathon of 2008, you would think that I would have recognized that typing out the manuscript as I go is the ideal, right?  You would think that I would settle into a comfortable routine of "write in the morning, type in the evening", wouldn't you?  Especially considering this very wise passage from that monstrous manuscript:

It took me another hour, sipping at my second coffee of the day, to type in the day’s pages, making a few changes as I went.  When I printed out the pages, I wrote the date in the bottom margin and set the sheets face-down on the top of the stack on the second shelf of the bookcase.

Wise words, no?  A perfectly reasonable approach, yes?

So how is it, exactly, that I've ended up doing it again: writing a full story, and now having to input it all at once?

(sigh)

The good news, I suppose, is that the story is done, as of yesterday morning.  And it's not that long — another morning of  typing will have it done, and ready for revision.

Still, though, it's a good lesson, and a timely one: build a routine wherein I write in the morning, and type later in the day.  DO NOT let the manuscript build up.  DO NOT fall into the trap of "it's important to the flow that I not go back and type what I've already written; I'll wait and type it all at once".

If only there were somewhere that I could write that down, so I don't forget when I start on the new novel…

Meanwhile, in another part of my psyche:

Yes, the story is done.  No, I can't give you the details on where and when it will appear.  Soon, though. Soon a press release will magically appear, and it will be copied here with much rubbing together of hands.  And by "soon" I mean "within the next 24 hours or so", so not long now.

In the meantime, though, do please listen to this interview I recorded last week with Joseph Planta for thecommentary.ca.  (Yes, listen — Mom, this is a podcast.  Just click where it says to click, then sit back and wait for sound to come out of your speakers.  Everyone else, you can listen on the site, or download the piece and listen to me while you work out.  Heh.)

And for the record, I recorded this on a lunch-break last week, in the waning stages of "Omigod, I'm gonna die", which saw me feverish and a bit delusional.  I'm not actually sure of what I said*, so if there's anything bizarre (or, you know, wise), I'm blaming the fever.  Or the drugs.

(*caveat added upon reading the phrase "they also discuss growing up in Agassiz" and having NO recall of how I handled the question…)

All right, back to my typing…

While you wait

Tuesday, November 24th, 2009

I'm generating a longish post about this past weekend, about the wonders of Galiano Island and a once-in-a-lifetime reading which, sadly, most of you missed.  I'm also,  however, working on a review.  So while you wait, why don't you turn to this Round-Table about ChiZine Press on The Afterword, with Brett, Sandra, David Nickle and myself.

A nice thing before bed…

Thursday, November 19th, 2009

A bit of a shout-out from Cory Doctorow (who was at Bakka before the launch on Saturday) at Boing Boing.

And now, after that dubious attempt at limited hipster cred, I'm to bed.  Tomorrow promises to be a momentous morning, but more on that anon.

The pre-game ritual…

Sunday, November 15th, 2009

… in all its ragged glory:

smoking pic

This was Saturday afternoon, just before the event at Bakka Phoenix on Queen Street. I was too lazy to cross the street for the sacramental Red Bull, but that's probably all right: as it is, I went substantially longer than either Dave Nickle or Claude Lalumiere (hey, tell me I've got 20 minutes, I'm going to use twenty minutes!).

Thanks to everyone who came out — it was a packed house.

And if you weren't in Toronto, there's always Galiano — this Sunday at 3 pm, I'll be reading and signing at Galiano Island Books.  So if you see a guy who looks like the above loitering in the shadows near the store at 2:55 pm, don't call the police — I'm supposed to be there.

In the meantime, though…

Saturday, November 14th, 2009

As I start to pack, I've got a few links to shut down:

This afternoon's event at Bakka Phoenix, info here.  Unless you're in a departure lounge, this is your last chance to see me in Toronto.

My review of the new Stephen King, in the Globe and Mail.  Short version: wow.

A blog post, about yours truly, from FB Friend Monica, who I got to meet IRL on Thursday.  Which was very cool.

Launch Day!

Monday, September 21st, 2009

Well, The World More Full of Weeping has been in stores for a couple of days now, and tonight we'll make it official:

If you're in Victoria (or find yourself in possession of large quantities of frequent flyer miles and nothing better to do with them), I hope you'll come out to Bolen Books in Hillside Centre at 7 tonight for the official launch of the book. I plan on talking for a bit, reading for a bit, and signing some books. All going well, there will actually be other people present while I'm doing those things, or they'll all look faintly ridiculous.

And if you're curious about the book, I'll be on CBC Radio's All Points West with Jo-Ann Roberts at about 3:45 today.  That's FM 90.5 in Victoria, and you can track down your local frequency at www.cbc.ca.

DB Day (and a little something closer to home)

Tuesday, September 15th, 2009

So, unless you've been living under a rock (or you have no interest whatsoever in these things), you probably know that today is D.B. Day, the day that bookstores around the world started selling the first clutches of what will likely end up being a kajillion copies of The Lost Symbol, Dan Brown's LONG-awaited follow-up to The DaVinci Code.

If you're not in the trade, you can't imagine the impact of this single book.  It's… well, it's a little terrifying, actually.  The moment the book was announced, six months or so ago now, the industry shifted to make way for it.  The most significant way?  Other publishers got the hell out of the way.  Publication dates were changed to allow the Brown behemoth (which looks vaguely scatalogical now that I read it back) easy passage (okay, that makes it worse), and to avoid other books getting mired (hmm…) in the backwaters of the hype.  Penguin in the UK, for example, shifted publication of the new Nick Hornby well away from September 15, one of many publishers to do so.  Nobody with the slightest bit of common sense wanted their books coming out anywhere near The Lost Symbol  why fight a losing battle?  The DaVinci Code sold 80 million copies; people have been waiting for the sequel for years. 

Nobody with the slightest bit of common sense…

Which brings me, well, to me.

A couple of months ago, Brett (my publisher) and I were talking about dates and events — launches, publicity, etc.  We settled on September 21 for a good launch date (at Bolen Books), and we knew we wanted to get the books positioned in stores in advance of that.

"So, like, mid-September?" I recall Brett saying.

"How about September 15," says I.

You would think that someone as immersed in the book trade as I am would have twigged, that I would have made the most obvious connection.  You would think…

But no.  I really am THAT scattered.

Which is a long way of saying: hurrah!  Today's the publication day of The World More Full of Weeping.  I love it — I hope y'all like it.

Mostly, though, I hope you don't get trampled by the Dan Brown-maniacs racing through your local bookstore. 

 

(Edited to get my codes and symbols right.  I should really avoid blogging before I nap.)

Last chance!

Monday, August 31st, 2009

Folks, it's August 31.

That's the end of summer.  The dwindling of days.  Oh, and your last chance to buy the limited edition of The World More Full of Weeping.

This is the signed, numbered, hardcover, collectible edition, with the short story the small rain down unavailable elsewhere.

Dig under your couch cushions, defrost your credit card, whatever it takes, don't miss your chance!

It's available at HorrorMall, but only today!!!