Archive for the ‘World More Full of Weeping’ Category

It's been said that you can't go home again…

Wednesday, March 17th, 2010

Let's put that to the test, shall we?

This Saturday afternoon, March 20, 2010, at 2 pm, I'll be reading at the Agassiz branch of the Fraser Valley Regional Library, better known (in my mind at least) as The Library.  I'll spend the afternoon mere meters from my old high school, reading from The World More Full of Weeping, talking about how Henderson is in no way Agassiz (except those ways in which it is), fielding questions, and maybe, just maybe, giving a sneak preview from the new novel.

Hell, I might even have a title for the new novel by then!  Wouldn't that be a treat.

So yes, Saturday afternoon at 2 at the library.  It's Agassiz — I don't have to give you an address, do I?

See you there.

This just in!

Monday, December 14th, 2009

Oh, my.

My editor at CZP just sent me this review, from Publisher's Weekly:

The World More Full of Weeping
Robert J. Wiersema. ChiZine (www.chizine.com/chizinepub), $12.95 paper (104p) ISBN 9780980941098
Wiersema’s haunting novella–whose title aptly references a line in William Butler Yeats’ poem “The Stolen Child”—revolves around an 11-year old boy named Brian whose love of the woods behind his father’s house in rural southwestern British Columbia leads him to supernatural discoveries—namely Carly, an ethereal girl. Carly shows the boy a breathtakingly beautiful “hidden world” in the forest. When Brian disappears one day, his father is forced to revisit obscure memories from his own youth—memories that involve the mysterious forest and a girl named Carly. Powered by a sublime sense of wistfulness and a setting that is simultaneously natural and otherworldly, Wiersema’s novella seamlessly blends literary fiction with mythic fantasy to create a lyrical, surreal and deeply melancholic reading experience. The book also includes an essay entitled “Places and Names,” in which the author explores the signification of “personal geography” and explains how his fictional town of Henderson (the setting for his story) was created. (Sept.)

Do you think "Wiersema’s novella seamlessly blends literary fiction with mythic fantasy to create a lyrical, surreal and deeply melancholic reading experience." is too long for a tattoo?

Insanity

Tuesday, December 8th, 2009

It has been noted — by folks far wiser than yours truly — that a good operating definition of "insanity" is "doing the same thing over and over, expecting different results".  By that measure, at least, one could, I suppose, question my sanity.

I certainly am.

Really, I should know better by now, shouldn't I?

Certainly after the great "type out the monster" marathon of 2008, you would think that I would have recognized that typing out the manuscript as I go is the ideal, right?  You would think that I would settle into a comfortable routine of "write in the morning, type in the evening", wouldn't you?  Especially considering this very wise passage from that monstrous manuscript:

It took me another hour, sipping at my second coffee of the day, to type in the day’s pages, making a few changes as I went.  When I printed out the pages, I wrote the date in the bottom margin and set the sheets face-down on the top of the stack on the second shelf of the bookcase.

Wise words, no?  A perfectly reasonable approach, yes?

So how is it, exactly, that I've ended up doing it again: writing a full story, and now having to input it all at once?

(sigh)

The good news, I suppose, is that the story is done, as of yesterday morning.  And it's not that long — another morning of  typing will have it done, and ready for revision.

Still, though, it's a good lesson, and a timely one: build a routine wherein I write in the morning, and type later in the day.  DO NOT let the manuscript build up.  DO NOT fall into the trap of "it's important to the flow that I not go back and type what I've already written; I'll wait and type it all at once".

If only there were somewhere that I could write that down, so I don't forget when I start on the new novel…

Meanwhile, in another part of my psyche:

Yes, the story is done.  No, I can't give you the details on where and when it will appear.  Soon, though. Soon a press release will magically appear, and it will be copied here with much rubbing together of hands.  And by "soon" I mean "within the next 24 hours or so", so not long now.

In the meantime, though, do please listen to this interview I recorded last week with Joseph Planta for thecommentary.ca.  (Yes, listen — Mom, this is a podcast.  Just click where it says to click, then sit back and wait for sound to come out of your speakers.  Everyone else, you can listen on the site, or download the piece and listen to me while you work out.  Heh.)

And for the record, I recorded this on a lunch-break last week, in the waning stages of "Omigod, I'm gonna die", which saw me feverish and a bit delusional.  I'm not actually sure of what I said*, so if there's anything bizarre (or, you know, wise), I'm blaming the fever.  Or the drugs.

(*caveat added upon reading the phrase "they also discuss growing up in Agassiz" and having NO recall of how I handled the question…)

All right, back to my typing…

Minutiae

Tuesday, December 1st, 2009

I've been giving fairly regular updates on this — word counts and the like — on Facebook and Twitter, but I thought I should weigh in here in a bit more detail.  Well, sort of.  The details are a bit limited at this point, for a couple of reasons.

The big news is that I'm writing again — actively writing.  First draft, four a.m. writing.  It's been a while since I've done that, and I have to say, it feels good.  The muscles are loosening up, the routines are re-establishing themselves, and I'm reminded (though how could I have forgotten) just how good it feels to do this.

The occasion?  I've been commissioned to write a short story.  To write it NOW.  It will see "print" in less than two weeks, so there's not a whole lot of room for fucking around.

As for the details, and why I can't provide you with too many?

Well, the nature of the publication and the venue needs to remain vague for just a shade longer.  It's not a huge secret or anything, it's just a matter of getting the words on the page before saying too much.

Which, now that I think about it, is actually why I'm not going to be forthcoming on details about the story itself. I've mentioned my muse here before, right?  And how… possessive… she is about what she gives me?  In case I haven't, the short version is this: I get one chance to tell a story, which leaves me with a choice.  I can spend that story in passing – recounting it in a bar, or describing it, hell, even outlining it can use up the opportunity – or I can write it down.  Writing it down seems to be the better option, really.

What I CAN say is this: it's a Christmas story.  It's a Christmas ghost story, actually.  It's set in Henderson.  And it's going to be sad.  (That last one probably shouldn't come as any surprise by now, but it's tricky — to my mind, it's not sad-sad, it's bittersweet, and ultimately a happy ending.  Sort of.  But then, I feel that way about Before I Wake and The World More Full of Weeping, too, so take that with however much salt you require.)

I know – sorry about the scantness of information, but take comfort in the fact that you'll be reading the story in less than two weeks.  That's not TOO much suspense, I don't think.

In the meantime, though, the minutiae I promised.

I'm a big fan of author's notes and afterwords and things like that, bits of ephemera that give a glimpse into the writing process.  I assume I'm not the only one, so:

I'm getting up at 4 am these days.  Well, the first alarm rings at 4 — I'm generally out of bed before the third alarm at 4:25.

The story is being written in a Moleskine notebook, with a Pelikan M215 demonstrator fountain pen, tweaked with a Binder .7 italic nib, using Noodler's Black ink.

The music: so far, it seems to be a combination of Bach's Cello Suites, as performed by Yo Yo Ma, and various pieces by Estonian composer Arvo Part (including Fratres and Te Deum).  The Part seems to be working quite well — it has the perfect wintery, sad, holy tone that I'm looking for.

Okay.  Time to get ready for work.

While you wait

Tuesday, November 24th, 2009

I'm generating a longish post about this past weekend, about the wonders of Galiano Island and a once-in-a-lifetime reading which, sadly, most of you missed.  I'm also,  however, working on a review.  So while you wait, why don't you turn to this Round-Table about ChiZine Press on The Afterword, with Brett, Sandra, David Nickle and myself.

A nice thing before bed…

Thursday, November 19th, 2009

A bit of a shout-out from Cory Doctorow (who was at Bakka before the launch on Saturday) at Boing Boing.

And now, after that dubious attempt at limited hipster cred, I'm to bed.  Tomorrow promises to be a momentous morning, but more on that anon.

The pre-game ritual…

Sunday, November 15th, 2009

… in all its ragged glory:

smoking pic

This was Saturday afternoon, just before the event at Bakka Phoenix on Queen Street. I was too lazy to cross the street for the sacramental Red Bull, but that's probably all right: as it is, I went substantially longer than either Dave Nickle or Claude Lalumiere (hey, tell me I've got 20 minutes, I'm going to use twenty minutes!).

Thanks to everyone who came out — it was a packed house.

And if you weren't in Toronto, there's always Galiano — this Sunday at 3 pm, I'll be reading and signing at Galiano Island Books.  So if you see a guy who looks like the above loitering in the shadows near the store at 2:55 pm, don't call the police — I'm supposed to be there.

In the meantime, though…

Saturday, November 14th, 2009

As I start to pack, I've got a few links to shut down:

This afternoon's event at Bakka Phoenix, info here.  Unless you're in a departure lounge, this is your last chance to see me in Toronto.

My review of the new Stephen King, in the Globe and Mail.  Short version: wow.

A blog post, about yours truly, from FB Friend Monica, who I got to meet IRL on Thursday.  Which was very cool.

Another good review

Thursday, November 5th, 2009

This time, courtesy of Barbara Hunt at The Book Club of the Writer's Circle of Durham Region.  I'm very pleased with this one…

Word on the Street — Vancouver — September 27, 2009

Friday, September 25th, 2009

I've mentioned this here before, but I've got a little more information about Word on the Street, coming up this Sunday in and around Vancouver's Library Square.

I'll have two appearances Sunday afternoon:

3:30 pm — Sony Reader Lounge — I've been invited by the good folks at Sony Canada to play around with the latest Sony eReaders in their lounge, which is in the Bravo Club of The Centre for the Performing Arts on Homer, across from Library Square.  I'm a little worried about this one, to be perfectly honest.  It's not just that I know that it's going to take about 30 seconds of handling one of these babies before the coveting goes off the charts — that's a foregone conclusion, and I'm prepared for it.  No, I'm worried that I'm going to end up drooling into the Reader I'm playing with, which would be both embarrassing AND expensive.  (Seriously — sexy tech makes me drool.  And the idea of having a "book" that I can take on the road with me, packed to brimming with HUNDREDS of books… I'm getting a little tingly just thinking about it.)

4 pm — Authors Tent — Assuming I recover from my techgasm, I'll be reading from The World More Full of Weeping.  Well, mostly talking, actually, with a little bit of reading to round things off.  And not, technically, from TWMFoW itself — I think I'll be reading from Places and Names, the essay that accompanies the novella.  "An essay, Rob?!?!?!?  What the hell are you thinking?"  No, no, trust me: it works.  And it's interesting.  I have it on the authority of the audience who heard it at the launch on Monday night.

It should be noted that, as far as I know, this is my only reading in Vancouver this year, so don't miss it.

I'll also be wandering around the Square for most of the afternoon, nipping into the library occasionally to be interviewed or grab libations.  If you see me, say hello.  I'll be the one with Xander, which should make me easy to pick out of a crowd.